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ILLUSTRATOR

Brief;

- Design an present a series of 3 enamel badges in Adobe Illustrator based on an existing property, as well as a backing card and      logo/branding for the collection.
- Each badge is limited to 4 pantone colours + line
​

AIMS;

 - explore Adobe Illustrator
 - develop and understanding of Illustrator's capabilities and potential with regard to our work
 - explore the world of self authorship and self marketing as a component of contemporary illustration

Research;

Market Research (Etsy/Pinterest);

Natty Peterkin;

View this post on Instagram

A post shared by Natty Peterkin (@nattypeterkin)

View this post on Instagram

A post shared by Natty Peterkin (@nattypeterkin)

View this post on Instagram

A post shared by Natty Peterkin (@nattypeterkin)

Rebecca Hollingsworth;

View this post on Instagram

A post shared by Rebecca Hollingsworth (@rh_illustration)

View this post on Instagram

A post shared by Rebecca Hollingsworth (@rh_illustration)

View this post on Instagram

A post shared by Rebecca Hollingsworth (@rh_illustration)


Designing the pins...

Picture
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I really connected with the work of Natty Peterkin (see above), and wanted to emulate the tone of his pins. I briefly played around with adjusting the line weight (see below) but I wasn't satisfied with the artificial look and I decided that the only way to recreate that look would be to trace a drawing with the pen tool, which I felt would be sidestepping the challenge of using Illustrator if I designed them in that way.
Picture

Standing on Digital Shoulders...

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Mick Marston Original
 Copy
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Picture
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The pins were made using predominantly the pen, shape and brush tools to build complex shapes, then coloured using the live paint tool. I initially mocked them up in Illustrator, before re-doing it in Photoshop for a more realistic effect.

I tried creating my own font based off the title card of the show, but preferred one that I found online (Push Black).

​For the backing design I looked at the work of Rebecca Hollingsworth, however I couldn't figure out a way to recreate the texture in her work that looked good and wasn't distracting from the pins. 

OUTCOMES;

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  • Home
  • PORTFOLIO
  • UNIVERSITY
    • Year 1 >
      • VCOM4000: Introducing Visual Communication >
        • Project 1
        • Project 2
        • Project 3
        • Project 4
        • IT
      • Illu4020: Multi-Dimensional Illustration >
        • 2D
        • 3D
        • 4D
        • Stamps 1
    • Year 2 >
      • ILLU5020: The Illustrator's Toolkit >
        • Traditional >
          • Pen & Ink
          • Experimental Illustration Techniques
          • Paint
        • Digital >
          • Photoshop
          • Illustrator
        • Concepts >
          • Action
          • Body Language
      • ILLU5040: Drawing >
        • Life Drawing
        • Independent Drawing
        • Sketchbook
      • ILLU5050: Illustration Projetcs >
        • Conceptual
        • Literal
        • Our Choice
        • Final Project
      • ILLU5060: The Critical Illustrator >
        • Research Blog
    • Year 3 >
      • ARTD6000: independent research paper >
        • Research Blog
      • ILLU6040: advanced illustration projects >
        • History
        • Science
        • Society, politics and culture
      • ILLU6050: illustration showcase >
        • Rumpus Mansion
        • Northanger Abbey
        • Botanical Illustration
        • Degree show
        • ILLU6050 submission